Poggy
About me
Kent, United Kingdom
UK-based singer-songwriter Poggy's voice is reminiscent of a primal force beckoning you into the untamed. In her debut album, "Woman," she weaves a captivating tapestry of jazz, world, and folk influences, offering an immersive odyssey through 11 songs that explore family bonds, interconnectedness, and freedom.
Through evocative melodies and poetic lyricism of 'No More I' (comprised of 3 songs), there is a sense of having arrived home—a deep, visceral feeling that permeates the essence of the music. Poggy skillfully weaves an array of emotions, capturing the intricate bond between the soul and the natural world. It is a poignant exploration of this deep-rooted connection, inviting listeners to embark on a contemplative journey where the essence of being harmonizes with the spirit of the earth.
The album 'Sister' unfolds as a collection of 10 songs that serve as a poignant reflection on a past life, creating a musical journey steeped in nostalgia and evocative storytelling.
Cultural background
Band/Ensemble
Poggy
Values
Project Music
You Can Only Live When You Die
Poggy wrote the song and reached out to me with a demo of guitar and vocals. I then transformed the demo into an electronic soundscape by adding instrumentation and producing the track. Finally, Frank added trumpet and Jorge added Tres. The song is about reinventing oneself to be a better person. To make an inner change that results in social change when reflecting that transformation back on the world. The lyrics are symbolic of letting go of what you know and opening your heart to something that reflects the innate capacity to love and heal.
- Alternative
- Electronic
- Indie Pop
- Pop
- Background vocals
- Singer
- Singer-songwriter
- Mellotron
- Synthesizer
- Bass guitar
- Electric guitar
- Guitar
- Tres
- Drum machine
- Trumpet
- Cuba
- United Kingdom
- United States of America
There must be a better way
Play
- Award Winner
- Album Track
This song is about finding a better way to be, having explored all the 'dead end roads' in ones life. Its about finding peace and meaning out of chaos and suffering, and learning from our mistakes, paving the way for more compassionate and intuitive choices for ourselves and the world. The overall feeling the song emenates is one of over riding peace and harmony, elevating the listener above undertones of conflict and chaos, which are surrendering and unravelling beneath the surface, revealing unity, This song is an appeal to the heart.
- Fusion
- Indie Pop
- Instrumental
- Soundtrack
- Vocal
- World
- Background vocals
- Singer
- Singer-songwriter
- Vocal ensemble
- Whistling / Humming
- Electric piano
- Synthesizer
- Bass guitar
- Electric guitar
- Bass drum
- Cymbals
- Rattle
- Tambourine
- Flute
- South Africa
- United Kingdom
- United States of America
Save The World
This is a piece of art for the Earth and a statement of our readiness to save our dear Planet. The song has a native appeal of Afro-Cuban rhythm fused with Pop/Dance and Folk style drama. Initiated by myself (Collekta), I intimated Marshall-Muze about it and the soul in the music. To achieve depth, the project needed a female touch what it received by the vocal of Poggy and the poetic consciousness of Akwasi Marley. A gentle reminder that there's no Planet B for humans. We can only Save The World if we do it together!
- African
- Dance / EDM
- Fusion
- Pop
- Traditional / Folk
- World
- Background vocals
- Baritone
- Bass
- Contralto / Alto
- Mezzo-soprano
- Rapping
- Singer
- Singer-songwriter
- Tenor
- Synthesizer
- Bass guitar
- Bass drum
- Dondo / Talking drum
- Percussion
- Shekere
- Snare drum
- Timpani
- Xylophone
- Flute
- Trombone
- Trumpet
- Tuba
- Sampler
- Ghana
- Nigeria
- South Africa
- United Kingdom
No submissions for Beyond Music Project Volume 1.